kunst.haus Graz
Art establishes itself through a dual-
ism of reality and virtuality, of the ob-
vious and the hidden. The design tries
to toy with this dualism. The museum
itself, as a place of and for art, is kept
hidden but not denying it's presence.
A high rising signifier is set by the
automatic car-park, extroverted but of
no deeper meaning, it's playing the
antagonist to the introverted, maybe
mystical underneath.